Write on Wednesday – Wattpad – October 3, 2018

I’ve been seeing references to Wattpad as I look for ways to plan marketing for my upcoming book. Here’s information I pulled together from Google and Wikipedia. It sounds interesting.

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“Wattpad is a community for readers and writers to publish new user-generated stories in different genres, including classics, general fiction, historical fiction, non-fiction, poetry, fanfiction, spiritual, humor, and teen fiction.  It aims to create social communities around stories for both amateur and established writers.”

“The platform claims to have an audience of more than 65 million users, who can directly interact with the writers and share their opinions with fellow readers. Although available in over 50 languages, 77% of its content is written in English. A number of Wattpad users are translating stories to continue to build the platform.”

“Founded with Ivan Yuen in 2006, Wattpad is removing traditional barriers between readers and writers and building social communities around stories. Wattpad asserts it is the world’s largest community of readers and writers.”

“All the stories on Wattpad are free. Readers don’t have to pay to join the site (or download the app), or to read any of those 3 million stories (which can also be read on any computer, laptop, or tablet). But they’re not just reading, they are writing too.”

“Wattpad Premium is a subscription-based version of Wattpad. It’s the same Wattpad you know and love, without the ads. Premium users will also unlock a fresh new theme within the app.”

“As per the Terms of Service, Wattpad is only available for people who are 13 years of age or older.”

“Through the Wattpad Futures program, interested writers can supplement their income with little effort. The program helps writers earn money by inserting ads between chapters of their Wattpad story.”

I also found a blog post about how one writer decided Wattpad was not a good idea for him.

Wattpad may be a good tool for some writers, so check it out to see if it might work for you. I’m on the fence.

Write on Wednesday – Full Steam Ahead – September 12, 2018

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For the past two weeks I have been purging my office, culling old files and crawling under the furniture to dust. I brought in a new filing cabinet, removed a piece of furniture and repostioned a ceiling tall bookcase. All in anticipation of getting back the first full critique of the third book of my Caribbean series —  the whole thing. I’ve had helpful critiques on chapters by my Working Writers Forum group, but this was the whole manuscript and I wanted the decks cleared.

That happened on Saturday morning. I have to admit I was anxious. I knew this editor, who is also a friend, would give me her unvarnished opinion. And she did. Some parts she liked and she had some excellent suggestions for how to fix some things I knew just didn’t work. She brought to my attention story threads that had been left hanging.

There were a number of places where she noted that what I knew in my head about the characters had never made it onto the pages. I suppose all of us who write long fiction struggle, at some point in the process, of being too close to the story to know what is missing. She also made a detailed spreadsheet for me which included (among other things) the timeline, where and when characters appeared, and thematic issues. I printed it out on legal size paper and taped pages together.  This will be easier for me to work with than referring to the computer screen.

My next step is to read through all the notes in the manuscript. There are some plot and character arcs that need attention. I need to think about those and make some fix-it notes before I start the rewrite. My goal is to be ready to begin by the end of the weekend.

Full steam ahead.

Write on Wednesday: Make Me Care – August 14, 2018

I learn in small increments. If I can come away with a few new things from an hour long talk, I am happy.  This  virtual classroom Ted talk, by Andrew Stanton, is terrific. Not too long, not too short, but with some compelling suggestions for writing our stories.

Here are my take aways:

Make the Reader Care:

  1. When you tell a story, build in anticipation.
  2. Make the reader want to know what will happen next.
  3. Honest conflicts create doubt in what the outcome might be and make the reader wonder how the story will end.

The Secret Sauce:

  1. The best stories invoke wonder.
  2. A strong theme is always running through a well told story.

Use What You Know:

  1. Capture a truth from your own experience.

Storytelling has guidelines but no hard and fast rules. When you do it right, wonder happens.

 

 

Write on Wednesday: Hiring a Script Consultant

When Laura Ambler and I finished our movie script for The Santa Diaries, we knew we wanted to hire Dara Marks to help us polish it. Laura had used her in the past on a couple of screen plays. We consulted our checkbooks, took a deep breath and called Dara. We booked an appointment and sent her a copy of the script which was ultimately called Santa, Flawed.

Santa Flawed

Laura and I have used writing consultants in the past. We hired two different editors to look at Big Skye Ranch. It was a better book because of the money we spent and went on to be a quarter finalist in the Amazon Breakthrough Novel contest. It won international awards at the London and Paris Book Festivals and an IPPY award.

A week ago we had our four hour telephone conference call with Dara. We were nervous. What would her reaction to the script be?  It was a somewhat fitful start because the email outline she sent us got hijacked by some virus scrubber on her computer which decided to scrub at precisely the moment she was emailing us. And her dogs went bananas when the UPS man came calling, but after a few minutes of sorting things out, we got to work.

By the end we were exhausted, but exhilarated. Dara told us our script was “highly marketable, it’s got everything, a really good piece, the writing is terrific, there is a strong structure in the script.”  She really said all those things. I took notes! …and then she told us the plot needed strengthening and we could be clearer about the theme. She said the first 25 pages needed to be totally rewritten. Well, that’s what we were paying her for – brutal honesty.

The theme thing is tricky. It’s the universal denominator and the theme drives the characters, the dialog, the setting. Theme should underscore everything in the script. It’s a little hard to wrap your head around because in the past our writing has been more character or plot driven. That’s not to say there wasn’t an underlying theme, but we didn’t spend time really trying to get that down to the bones.

In this telephone consultation we spent at least half an hour sorting out the theme. Turns out the theme is more elemental than Christmas, finding your inner Santa, nostalgia for small town life, or reconnecting with a lost love. The theme of The Santa Diaries script is “we’re all in this together.” We had not known that! Of course, the flip side of that theme is “we are alone” and that is Will’s fatal flaw. If he doesn’t change, he will be alone.

Will is isolated because he has sold out to Hollywood. He has lots of people around him, but they all want a piece of him. His business manager, Josh, whom Will calls his best friend, is a suck-up. Even his girlfriend has her own career agenda. If Will doesn’t find his authentic self (as opposed to his inner Santa) he will never be happy or fulfilled.

There were a couple of times when Dara pointed out that we were still thinking play, not movie. She was right. In the play we couldn’t have Sandy in the hospital with a broken leg. Heck, we couldn’t even get him staged in a bed in traction which is the way we wrote the original script. Sandy in a wheel chair with his leg propped up on a stool had to do. In the movie script he gets to be in a hospital.

Dara suggested that we start with a clean slate for the rewrite and we did. We are now 22 pages into the first 25 (Act 1 up to the First Turning Point). After that it will be more tweaking than a total rewrite as we make sure any changes in the beginning are reflected in rest of the script. All the characters are slightly different than they were in the original play and the script we sent Dara. We hope that gives them more depth.

Will Hawes is a little softer, more redeemable. His father, Sandy, is no longer the paragon of virtue. We’ve roughed up his edges a bit. Brandeee is smarter and shrewder. We haven’t decided if Brandeee and Will are engaged anymore. It always bothered me that Will broke up with Brandeee and moved on to Jessica so quickly.

The point is, do these changes drive the theme to its logical conclusion? We hope to have that figured out in the next month. Then the script will go back to Dara for notes. After that it should be ready to pitch. We think/hope the investment in using a script consultant will be well worth the cost.

Note: This blog was first published June 14, 2013. Gosh, almost five years ago. The script was eventually titled Santa, Flawed. No one bought it, but you can buy it on Amazon formatted for Kindle for $3.99. Using a script consultant was a great learning experience. In reading this post again, I am struck by the importance of theme. Whatever kind of fiction you are writing, figuring out your theme is paramount.

Write on Wednesday: Association of Writers & Writing Programs

Last year, in February, I attended the American Association of Writers and Writing Programs Conference. AWP. People had been telling me about this conference for years – that if it ever came close to my geographic area, I had to go. Last year it was in DC. I could stay with my brother in Georgetown, so I registered. The conference welcomed between 12K and 14K people in the Washington Convention Center and the Marriott Marquis Hotel. Just a few more than the 200 plus at the Bay to Ocean Writers Conference at Chesapeake College, in Wye Mills, Maryland that I attended in March.

You have to be a member of AWP to attend the conference. One of the benefits of membership is their bi-monthly magazine, The Writers Chronicle. It’s an excellent writing resource.

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All the sessions I attended were panels  with four to six participants. These folks had impeccable credentials, MFA (Master of Fine Arts) degrees and multiple publications. MFA’s seem to acquire a special language with that degree. I had to think hard about fictive culture, breaking the fourth wall, distant third and character maps. Most of the authors who spoke about fiction, wrote literary fiction. A couple of sessions I attended had authors who wrote Middle-grade and Young Adult fiction, but there was not a Paranormal Romance (or any kind of romance genre for that matter) session to be found.

I did think I was going to get close with the session titled “Writing Female Desire.” But my notes only indicate the title of that session, not that I got anything helpful from it. A week later, I couldn’t remember anything about it. Maybe I bailed and went to lunch.

For the most part the presenters were accessible and self-deprecating and regardless of the topic listed in the program, they talked a lot about their writing process.

Here are some of my favorite take-aways about process:

  1. Write for good friends first and, then, the rest of the world.
  2. Write “your” book, not what is currently in vogue.
  3. “I have a turtle tattooed on my back” was what one writer said about the pace of her process.
  4. If the door is stuck [in the plot of your book], don’t bang your head on it, go around and jimmy a window.
  5. What is the “river” that is pulling your book forward? In other words what is the book really about.
  6. Failure is part of the process!
  7. Be prepared for multiple rewrites of drafts. Not three or four but sometimes as many as forty. (That made me want to take a nap!)
  8. Several presenters had taken 10 years to complete a book, although they may have had other things published along the way.
  9. On the panel about women publishing after age fifty, one of the presenters said the pub date of her first novel was a week before she was eligible for Medicare. The room erupted in applause. This session was packed, standing room only and part of the discussion was how women find time to write with career, kids, family, aging parents, etc. #womenwritingafter50

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All in all, I’m glad I went to AWP last year. It won’t be close to me again until 2022 when it will be in Philadelphia. But truthfully, I get more that is helpful to me in terms of writing craft from the Bay to Ocean Writers Conference at Chesapeake College. And that’s just half an hour away. And at that conference no one turns down their nose at those of us who write romance.

 

Write on Wednesday: Damn Those Adverbs

“Substitute ‘damn’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.”

― Mark Twain

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I suspect Twain was talking about adverbs – those pesky words that usually often end in ‘ly’.  It’s not that you can’t ever use adverbs, but it can be a mark of a lazy writer. Adverbs, which describe verbs, adjectives or other adverbs are easier to use than showing our readers what we want them to see.

I have been using an editing program called SmartEdit. I saw it reviewed on a writing blog and bought a single user license for around $70. I purchased it last year when I was reviewing my first two novels before sending them for proofing in anticipation of republishing. That project is still in the works, but on track.

SmartEdit was worth the investment. It ranked the adverbs in my writing by the number of times I used them. It allowed me to make corrections/changes on the spot. The program has eleven functions including repetitions, how many times a word or phrase is used, points out cliches and how often a sentence is started the same way. It helped me tighten my writing.

 

This came in today’s mail.

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I opened the envelope and let out a whoop. My new Dramatist Guild member card had arrived. It used to be flimsy cardboard but is now substantial black plastic. The photo makes it look brown, but it’s matt black.  Sophisticated, elegant, understated, almost a clone of a Visa Black Card.

Guild membership is a very big deal. You can only apply to become a member if you have had a play produced for a paying audience. I am exceedingly proud of my membership.

Sorry, Mark, sometimes you just have to use adverbs!

 

 

Write on Wednesday – March 28, 2018

Building Characters Using “Rooting Interests”

This interesting suggestion also came from Jeanne Adams workshop at the recent Bay to Ocean Writers Conference. She credited writer Donna MacMeans with the idea which is explained in a longer form on Donna’s website. By the way, Donna MacMeans writes “seductively, witty historical romance.”

On her website, Donna has a section for writers. On the page referenced by Jeanne Adams, Donna talks about Rooting Interests. (Since I’m a gardener I had to shift my perspective from propagation to writing.) I think by rooting Donna means that readers needs to “root for” a character. She describes the three rooting interests as empathy, humanistic traits, and admiration traits and says readers like characters with a mix from all three categories. The webpage referenced above gives lists of these characteristics.

The lists are a way to think about how to make your characters more interesting. Donna says you should have at least three “rooting interests” to make a character relatable. When readers relate, they turn the page. Check out Donna’s website for more information about this helpful writing technique.