Write on Wednesday – Where Do My Books Belong? – January 23, 21019

I have a problem. I don’t know what kind of books I am writing .

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They are romance, but not in a generic bodice ripper sense. They have a strong paranormal bent but it’s not the only theme. Spirit guides abound and a ghost is featured in the second book in the series. And in the third book (revisions continue) romance, paranormal, spirit guides and the ghost all come together. But when I look at the list of Amazon best selling romance, I don’t know where these books belong. This will be important when I reissue the first two in the series and publish the third as on Amazon Kindle you need to pick two categories for each title.

I copied the best selling romance list below from The Passive Voice. If you are a writer or a reader you should subscribe to this blog written by a lawyer. Very interesting stuff on a wide variety of topics. One of the blogs this week was about the importance of Children’s Picture books and had a link of a Scottish grandmother reading to a baby. I was laughing out loud by the end of that YouTube video.

Anyway, here is the list of the Amazon’s best selling romance categories. It was also instructive to look at the covers of these books, but that didn’t help me figure out where my books belong.

I found another romance list on Amazon.

“For a title to appear in the Romance sub-categories below, the title’s search keywords must include at least one of the keywords or phrases listed next to the sub-category. These categories and subcategories are specific to books listed for sale on Amazon.com or Amazon.co.uk. Other marketplaces may not support these keywords. ”

Category Keywords
Romance/Inspirational/Amish* Amish
Romance/Inspirational/General* inspirational
Romance/Military military, navy, army, soldier
Romance/Multicultural & Interracial interracial
Romance/New Adult & College new adult
Romance/Paranormal/Angels angel
Romance/Paranormal/Demons & Devils devil, demon
Romance/Paranormal/Ghosts ghost, spirit
Romance/Paranormal/Psychics psychic, telepathy
Romance/Paranormal/Vampires vampire
Romance/Paranormal/Werewolves & Shifters werewolf, shapeshifter
Romance/Paranormal/Witches & Wizards witch, wizard, warlock, druid, shaman
Romance/Romantic Comedy comedy, humor
Romance/Sports* sport, hockey, soccer, baseball, basketball, football, olympics, climbing, lacrosse, nascar, surfing, boxing, martial arts, golf
Romantic Heroes/Cowboys cowboy
Romantic Heroes/Doctors doctor, physician, surgeon
Romantic Heroes/Firefighters firefighter
Romantic Heroes/Highlanders highlander
Romantic Heroes/Pirates pirate
Romantic Heroes/Politicians politician
Romantic Heroes/Rich & Wealthy billionaire, rich, millionaire, wealthy
Romantic Heroes/Royalty & Aristocrats nobility, royalty, aristocrat, prince
Romantic Heroes/Spies spies, espionage
Romantic Heroes/Vikings Viking
Romantic Themes/Amnesia amnesia
Romantic Themes/Beaches beach
Romantic Themes/Gambling & Poker gambling, poker, casino
Romantic Themes/International international
Romantic Themes/Love Triangle love triangle, menage
Romantic Themes/Medical medical, doctor, nurse, hospital
Romantic Themes/Second Chances second chance
Romantic Themes/Secret Baby baby, pregnancy
Romantic Themes/Vacation vacation
Romantic Themes/Wedding wedding
Romantic Themes/Workplace office, workplace

*Subcategory is specific to the U.S. marketplace or Amazon.com.

This information helps — sort of — romance/paranormal/ghosts comes the closest, but I still don’t know where my books belong. They are set in the Caribbean. That’s not a category. They have spirit guides. Not a category.  Two of the characters in the second and third book are twins. Not a catagory. I was surprised that there wasn’t a Christian romance category. Not that that would have helped me.

As I look at the list above I realize that maybe each of the books fit into different romance categories because they follow the same characters through a generation. Different characters take center stage.

Knowing the category of a book is important in marketing because of key words. I probably should have thought more carefully about this twelve years ago when I wrote the first in the series. But I’ve learned that my books don’t always follow the plot line I intended. Which is what created this problem in the first place. I still don’t know where my books belong.

Maybe I need to research Fiction categories.

 

 

Write on Wednesday – What You See Is What You Get – October 24, 2018

An establishing shot in a movie or teleplay script tells where the subsequent action takes place. What you see is what you get. The New York City skyline shown at the beginning of Blue Bloods lets the viewer know the action takes place in New York City. Because I watch this show, I also know that when I see a shot of the brick facade of a traditional style home in an upscale neighborhood, the subsequent action is taking place inside Frank Reagan’s home in an unnamed suburb of the city.

NYC skyline

In a novel, if there is a Welcome mat and a wreath on the front door, you must tell the reader. Is the door painted an unusual color? Is the mat clean and new or ready for the trash bin? Is the wreath on the door seasonal, letting the reader know it’s Christmas or Halloween or Spring?  Does the shrubbery outside the front door indicate Spring while the wreath on the door says Christmas?

In narrative fiction you tell or show the reader where the action is taking place. If you don’t the reader gets confused and readers don’t like that. If they get confused too many times they’ll give you a bad review on Amazon.

In the revisions of my novel this is coming up over and over again. Apparently when I wrote the novel draft I was in screen play mode. I knew where the action was taking place — in my head. But sometimes I forgot to tell the reader.

In a screen play or teleplay you write in the words Establishing Shot: New York City and you’re all set. The viewer will get visual cues.

In narrative fiction you establish the setting with words. The visual cues are in the authors mind and must be put into words. This also provides an opportunity to expand information about your characters. Here’s an example:

“Martie wrestled a bag of groceries from the back seat of her vintage Candy Apple red Beetle–an expensive custom paint job she had come to regret. As she headed for the suburban home’s front door she noted the weeds in the flower beds along the brick walkway and realized she needed to call the gardening service in her sister’s address book. She opened the door with the key Julie gave her six months ago. Just three days before her sister disappeared.”

In a screen play the director figures out how to show the information in this paragraph or the writer puts it in dialogue. Phone dialogue between Martie and the detective assigned to her sister’s case could fill in some details. There could be a close-up shot of a calendar with the date of Julie’s disapearance circled in red.

As I revise my novel I have to keep reminding myself that what the reader reads is what the reader gets. It’s my job to make sure they have enough, but not too much. Enough so they can be in the scene, but not so much that it makes the writing ponderous.

If the paragraph above was the beginning of a novel I’d better make sure that a Candy Apple red beetle is important to the story. As I reread what I wrote I immediately began spinning off into another story. Focus your squirrel brain, Mala. Focus! You have a Caribbean novel to finish.

 

 

Write on Wednesday – Full Steam Ahead – September 12, 2018

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For the past two weeks I have been purging my office, culling old files and crawling under the furniture to dust. I brought in a new filing cabinet, removed a piece of furniture and repostioned a ceiling tall bookcase. All in anticipation of getting back the first full critique of the third book of my Caribbean series —  the whole thing. I’ve had helpful critiques on chapters by my Working Writers Forum group, but this was the whole manuscript and I wanted the decks cleared.

That happened on Saturday morning. I have to admit I was anxious. I knew this editor, who is also a friend, would give me her unvarnished opinion. And she did. Some parts she liked and she had some excellent suggestions for how to fix some things I knew just didn’t work. She brought to my attention story threads that had been left hanging.

There were a number of places where she noted that what I knew in my head about the characters had never made it onto the pages. I suppose all of us who write long fiction struggle, at some point in the process, of being too close to the story to know what is missing. She also made a detailed spreadsheet for me which included (among other things) the timeline, where and when characters appeared, and thematic issues. I printed it out on legal size paper and taped pages together.  This will be easier for me to work with than referring to the computer screen.

My next step is to read through all the notes in the manuscript. There are some plot and character arcs that need attention. I need to think about those and make some fix-it notes before I start the rewrite. My goal is to be ready to begin by the end of the weekend.

Full steam ahead.

Writing Like Stephen King*

One of my favorite books is Stephen King’s On Writing: a Memoir of the Craft. King talks about how most of his books were written when he was drunk or high – or both – and listening to heavy metal music at ear splitting decibels.

Stephen King

My writing partner, Laura Ambler, and I wondered if we could write better if we followed King’s writing process and tried writing under the influence. There are always places in our scripts where we put an MB (make better) or MF (make funnier.) This was an hypothesis that needed to be tested. We already had a control of sorts as we’ve completed quite a few scripts without any drugs or alcohol.

We ruled out the heavy metal music. Intrinsic to our writing process is that we talk to each other; loud music would make that a problem. We also ruled out drugs. Too risky and we didn’t know where to get them anyway. Although as I’ve talked to several people about writing this blog post, a surprising number of them told me they have had a ‘connection.’ Who knew!

That left us with alcohol. I just have to open my wine fridge, and, if Laura prefers a martini, the ingredients are already on the bar.

Now we have the means, but logistical problems present themselves. Laura usually comes to my house for our writing sessions. She can’t drive home under the influence. That would be totally irresponsible. I was recounting our dilemma to my husband and he said if we really wanted to pursue this experiment, he would pick up Laura and drive her home. (He is remarkably supportive of my writing, whatever the process, and I know he is much too nice to make a YouTube video of us being silly and post it online.)

As for me, two glasses of wine and I fall asleep which might not be conducive to inspired writing. This plan was beginning to remind me of my woman’s conciousness raising group from the 70’s. This was back when the head of NIH (National Institutes of Health) was saying cocaine was okay. Somebody in my woman’s group came up with the bright idea that our group should try cocaine. We debated that issue for a year. I suppose it took that long because any topic we decided to talk about always circled back to our mothers. Anyway, we finally decided we had talked about it so much that actually doing it held no allure, so we didn’t.

Laura and I haven’t talked the writing a la Stephen King thing to death yet, but we might be getting close. I’ll keep you posted.

*This was first posted on July 24, 2014. We never did get around to testing the King hypothesis.

Write on Wednesday: “Aha” moments

As a former therapist I can tell you the “aha” moments in therapy are relatively easy. It’s changing beliefs and behaviors after the “aha” that’s the hard work.

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Writing is not so different. You start out with an idea. If you’re lucky you may know where the story begins and where it ends. My fiction writing always seems to have “aha” moments in which a character realizes something important. This is usually the beginning of a conflict for the character that will then be played out until a resolution is reached. It’s my job, as writer, to get the character to implement the “aha” realization into their everyday lives. And I have to make that interesting or my reader will put down the book.

But the kicker is that the “aha” moment is often something I didn’t plan on. It just showed up. And I may not know until the end of the book why it happened. In the novel I’m working on a main character gets a specific tattoo on her leg. I didn’t know why. It just wanted to be there.

It wasn’t until I was at the end of the book that I realized there was a reason for that tattoo. Once I knew the reason, I had to go back to into the middle and write scenes that supported the ending. It’s a giant puzzle and sometimes the pieces almost fit…but not quite. I’m still working on it. Getting it perfect is what I’m after.

Damn. Could it be that my own need for perfection is not totally sorted out. It is in most areas of my life, but I want my writing to be as good as I can make it. That doesn’t sound like perfection, so why does it feel like that’s the goal?