Write on Wednesday – Recent Center Stage Baltimore Productions – February 13, 2019

I’ve seen two terrific plays at Center Stage Baltimore recently.

IMG_8292

A Wonder in My Soul

In late December I saw A Wonder in My Soul. I came out of the theater thinking this was one of the best plays I had ever seen at Center Stage. Written by Marcus Gardley and directed by Daniel Bryant, the play is about two black women who open a beauty shop in their neighborhood. Many years later the neighborhood has changed, and Pen Lucy and Swann Park are behind in their rent; the building where their salon is will be sold.

The playbook talks about the importance of beauty parlors in black communities. I remember when I was in school getting my Master of Social Work degree, we often talked about the fact that beauticians provide therapy for many of their clients.

This production was in the Pearlstone Theater at Center Stage. This is a proscenium theater although it doesn’t have a curtain. I’m always looking at staging. In this play the salon had two styling chairs, a loveseat in the reception area of the stage, a door which led to outside and a slightly lower apron area on which some “flashback” scenes were performed. The door was clearly the entrance to the salon and when people left the stage, they opened the door and walked through. It defined an action more clearly than just going off stage.

All the actors were wonderful, but Kalilah Black and Harriett D. Foy were exceptional.

Our tickets always seem to be the last performance in the runs. I need to try to change that. I would have gone to see this show twice – or more.

Fun Home

Then last Sunday I saw Fun Home, a musical memoir based on the graphic novel by Alison Bechdel. The book and lyrics were by Lisa Kron and the music was by Jeanine Tesori.

Billed as a play about a dysfunctional family, I wondered if I even wanted to see it. I get enough dysfunction these days watching the news.

It was another stellar show. A closeted gay father raising three children with his increasingly angry wife. One of the daughters is gay but only understands that when she goes to college. Oh, and the father teaches literature at a local college, but runs a funeral home on the side. Hence the title of the play, Fun Home.

In this show the gay daughter is depicted as a ten-year-old, a college student and a woman in her forties. It was the actress who played the ten-year-old who caught my eye. Molly Lyons is her name and she’s nine. Someday I’m going to see her on Broadway.

Fun Home was performed in the Head Theater which is a thrust theatre—a stage surrounded by audience on three sides. The fourth side serves as the background. Hydraulic lifts in the floor raised and lowered part of the sets. If only the community theaters that produce the play I wrote with Laura Ambler (The Santa Diaries) had those kinds of options. Another staging tool that could be translated to community theaters was a slightly raised platform with furniture that was rolled onto the stage when the scene took place in the living room. Faster than having stage hands carry furniture on and off stage. A similar platform on the other side of the stage was a kitchen area that rolled on and off. Of course this only works if you have off stage areas that will accomodate the platforms. Many community theaters don’t.

Watching live theater is enjoyable (I go with some girlfriends) and educational. I always come away with some ideas about improving the plays Laura Ambler and I write.

Write on Wednesday – Maine Welcomes The Santa Diaries – December 18, 2018

Maine wasn’t as cold as we expected, but it does get dark early. It was a short flight from Baltimore and by the time Laura Ambler and I landed at the Portland airport and were in the rental car (complete with ice scraper) it was getting dark. It was an hour drive to Bath. We checked into our hotel, found a place to eat dinner and walked to the theater to see the opening night show at the Chocolate Church Center for the Arts.

chocolate church sign smaller

Thom Watson, the producter, told us before the show that the light board had gone out that afternoon and they were using dimmers and spots. The show must go on and it did to a full house. We were entranced.

Chocolate Church Center for the Arts is a wonderful theater space. The bones of the original church are still there, and it has great acoustics. We were told that on Friday afternoon two hundred school children kids had attended a performance of The Santa Diaries, many of them seeing their first live stage performance. The photo below was taken before Saturday’s matinee. The light board was back up.

IMG_7909

The director of the show was Dennis St. Pierre, an Actors Equity  and Screen Actors Guild member with 20 years of professional work in the theater, tv and music industry as an actor, singer, director and producer.  He is currently the interim Executive Director for the Chocolate Church Performing Arts Center and recently created an Arts Education program that allows for collaboration with local school programs. It was that program that brought all those school kids to see The Santa Diaries. What a wonderful gift to the students.

In the opening scene of the show, cute elves deliver packages to Sandy Hawes who believes he has a calling… to be Santa.

IMG_7923

The large cast exemplifies a line in the play…”It’s community theater. Anyone who wants a part, gets a part.” The photo below doesn’t show all the adorable elves who occasionally escaped their wranglers backstage and made an early entrance!

IMG_8009

Chocolate Church did something clever to facilitate scene changes. They created three wheeled set pieces: a left and right window and a center piece that was the fireplace in Sandy’s living room (not seen in photo above). Each of these set pieces could be turned around to show something different on the other side. And for the finale (the community theater renovated after a fire) Christmas lights were turned on to show decorations in the actual theater. The audience went, “Awwww.” It was beautiful.

Before the show on Friday night we walked around the quaint main street of Bath. There was  a snowman with a fire in his belly and kids were roasting marshmallows. With lots of adult supervision, of course. The only thing missing was lightly falling snow.

IMG_7885

If we had stayed longer we would have attended the free community carol sing at Chocolate Church, a tradition on the last Monday evening before Christmas. And we would have spent more time at the Maritime Museum where the Christmas tree was made out of lobster pots.

IMG_7892

At home, on the Chesapeake Bay, we have crab pot Christmas trees .

After three traveling weekends it was lovely to be home and put away my suitcase. Requests for perusal scripts have been coming in from theaters around the country, so it will be interesting to see where The Santa Diaries finds community theater homes in 2019. We already know one production will be in Tennessee.

 

 

Write on Wednesday – A Christmas Wedding in Minnesota – December 12, 2018

You know you are in Minnesota in December when the windshield washer fluid freezes on the windshield.

Laura and I flew into Minneapolis late Friday afternoon with an entourage … our husbands, Laura’s mother and a friend.  It was cold. I don’t think the day time temperature ever got above 20 degrees Farenheit the whole time we were there. Fortunately there was no wind, but there was still snow on the ground from the previous weekend and icy spots on sidewalks.

We checked into the house we’d rented and headed to town to check out the marquis at the Paradise Center for the Arts. World Premier! TMP stands for The Merlin Players.

IMG_7833

That night we were honored on stage…

47682824_10161000727490570_693328367205744640_n

…and presented with a fabulous gift basket which included a handmade ornament created by Stephanie Weiss who plays Martha in the show.

IMG_7839

The show was more than we could have hoped for. Laura and I had not reread it before we went and kept wondering what was coming next. It was lovely to see it that way — almost with fresh eyes.

Saturday morning we had breakfast at Bernie’s Grill, a local institution with terrific food. My husband commented that it was breakfast that tasted the way he remembered breakfast tasting when he was a kid. Bernie’s had A Christmas Wedding poster by the cash register. They were all over town. This is Cary (Laura’s husband), Laura and her mother, Mary.

IMG_7823

I don’t have the show photos yet, but will soon. Then I’ll do another post.

On Saturday toured the Faribault Woolen Mills, explored the Shattuck-St. Mary’s (a coed prep school) campus, had lunch at the Cheese Cave, and then the ladies explored a consignment shop which had been a Catholic Church. We were told there were three Catholic churches in Faribault and the powers that be decided to build a new church south of town and sell the old churches and rectories. The house we rented had been the rectory. It was full of gorgeous oak woodwork.

Saturday night we ordered take out and ate around the dining table at our rental property before we went to the show. During intermission the sound operator, Shelley Wold, came around to introduce herself. She’s a panda lover and there’s a mention of pandas in the show. Great job, Shelley! We owe so much to the behind the scene folks. There wouldn’t be a show without them.

IMG_7840

After the show we got some photos with the cast. Left to right: Michael Lambert (Will Hawes), Heidi Nelson (Jessica), Mala Burt (playwright), Matt Drenth (Josh), Laura Ambler (playwright), Mandie Siems (Brandeee), Stephanie Weiss (Martha) and Jerry Fox (Sandy Hawes). Honestly, we couldn’t have had a more talented cast for the first production of A Christmas Wedding. Accoustics were excellent and everyone knew their lines and where they were supposed to be. What was superb was how the actors stayed in character even when they weren’t speaking. That’s hard to do. (Thanks to Stephanie who had posted some of these photos on her FaceBook page.)

47390866_10161000727995570_6123475607100588032_n

This is Jerry Fox (Sandy Hawes) with Thomas Drenth (Tim).

47363884_10161000728785570_4091982185198780416_n

Stephanie Weiss (Martha) in her foxy post make-over Mrs. Santa costume, complete with bull whip. Embrace the crazy! A shout out here to Mary Butler Fraser for costume design.

48027356_10161000730125570_1363664077963919360_n

Two weeks before opening night the director, Juliana Skluzacek, had a heart attack and triple bypass surgery. She came home Friday, the day the show opened. Her hard work shone in every scene. It wouldn’t have been the same play without Julianna’s vision. But we would be remiss if we didn’t applaud the cast and crew who rose to the occasion and brought the show home. Laura and I were in awe.

Several people asked us if there will be another in the Santa Diaries saga. We’ll have to give that some thought. If we fast forward too much we’d have to kill off Sandy and Martha and that would be unforgiveable. Faribault would never let us come back.

 

 

 

 

 

 

 

Write on Wednesday – The Sugar Creek Players Do Us Proud – December 5, 2018

You know you are in Indiana when your rental car comes with an ice scraper, but the weather Gods smiled on Laura Ambler and me the first weekend in December 2018. We never needed the scraper, but I was glad I’d packed an umbrella.

We flew into Indianapolis and drove to Crawfordsville. An hour on the interstate led us right to the Vanity Theater.

IMG_7798

It’s a thrill to see our play in marquis lights.

On opening night the house was full and we were escorted to our seats by two of the cast members who play volunteer firemen in the show.

IMG_6000

After welcoming remarks by Director Keith Strain, the firemen escorted us to the stage where Crawfordsville Mayor, Todd Barton,  presented us with a proclamation announcing this week as The Santa Diaries week.

IMG_6021

The stage at the Vanity Theater is tight…just 22 feet wide. It’s deep however, and the director made use of several levels including a scrim (you can see it on the photo above with a photo projected on it) and a small raised area which served as Timmy’s bedroom.

IMG_6042

Sandy, Will, Martha, Brandeee and Josh. Then the Casserole Ladies begin to arrive.

IMG_5227

When most of the cast is on stage, it’s crowded, but risers in the back help.

IMG_5326

Adorable elves help Sandy read letters to Santa.

IMG_6099

Marley Dog, Timmy and Will.

IMG_5729

There was an after party on Friday night where all the cast and crew gathered.

IMG_7801

On Saturday Director Keith Strain and his wife, Betsy, took us to lunch. And in the afternoon a local cooperative art gallery hosted a reception for us. Laura and I supported the local ecomomy and bought jewelry and met people from this vibrant community.

On Saturday night we saw the show again. The staging of every production is unique and every actor interprets his/her character differently. It’s why we travel to see productions. Sometimes there’s a bit of business that we want to keep. This time it was a reprise of At Christmas I Believe (an original song in the show written by Laura Ambler) sung by Will’s mother’s ghost. It was a nice touch. It would give a director an option for the character of Alice.

Community theaters across America provide a cultural venue for their communities. Sometimes they serve as the focal point for the revitalization of a small town. And for some, they are a place where people come together — regardless of politics, religion, gender or sexual orientation — to put on a show. And that’s just what the Sugar Creek Players did at the Vanity Theater last weekend. They put on a great show and did us proud.

 

 

Write on Wednesday – Countdown – October 31, 2018

A FaceBook post from a cast member in the new play, A Christmas Wedding, that blocking for the play was complete got me thinking about how playwrights turn their babies over to directors, cast and crew.  It’s an open adoption of Laura’s and my work. We’ll get to see how the baby is raised but someone else is now doing the heavy lifting. Getting the show on its feet and ready for the curtain to go up. It’s a thousand details and, I expect, some sleepless nights for the director.

dancing kids

When I think about those details a wave of anxiety (okay a small tsunami) washes over me before I remind myself that every single one of the people involved in the new show and the original want each performance to be the best it can be.

We, the playwrights, have a vision and the words we’ve written must stay the same. That’s in the contract.  But that’s where any control we might have ends. Each director has a vision, an interpretation of our words and how they instruct the actors to say them. The blocking can make a difference and put a slightly different spin on the characters. The set and costumes are part of that spin. Every production is different and that makes each unique.

Of course my writing partner, Laura Ambler, and I are going to see the shows. We have a busy December planned. On Friday, November 30 we fly to Indiana. That night we’ll see the opening performance of The Santa Diaries in Crawfordsville, Indiana produced by the Sugar Creek Players and performed in the Vanity Theater. Directed by Keith Strain  and produced by Kym Bushong.

On Friday, December 7 we fly to Faribault, Minnesota and that night will see the premier of A Christmas Wedding: Santa Diaries Two performed by the Merlin Players at the Paradise Center for the Arts. Julianna Skluzacek is the director.

And on Friday, December 14 we fly to Bath, Maine to see Chocolate Church Arts Center’s opening performance of The Santa Diaries, directed by Dennis St. Pierre.

At each venue we’ll see two performances. It will be exciting to see our babies all grown up. Laura and I are filled with gratitude to all the people involved in producing our plays, and humbled by the dedication of time and talent that goes into each production.

To paraphrase Tiny Tim, “God bless you, every one. You are awesome!”

 

Write on Wednesday – The Santa Diaries Goes to Indiana and Maine – July 18, 2018

Laura Ambler and I are over the moon.  Last week we got word that The Santa Diaries will be produced in Crawfordsville, Indiana this year by the Sugar Creek Players as their Christmas Show.

Screenshot (7)

And then two days later we were approached by the Chocolate Church Arts Center in Bath, Maine who also wanted to do the show. Of course, we said “YES.”

chocolate church interior best

Laura and I are honored that the original The Santa Diaries has chosen by the Sugar Creek Players and the Chocolate Church Arts Center for production this December.We are big fans of community theaters which play important roles in so many small towns. They build community and often become families for local actors, musicians and front and back of house volunteers.

Community theaters throughout the country have also saved countless buildings. Sugar Creek’s home is a former movie theater, as is the Avalon Theatre in Easton, Maryland where we live. Chocolate Church is one of two iconic Gothic Revival Churches from the 1840’s located in Bath. This church would have been demolished, but local citizens, recognizing its architectural significance and in the spirit of supporting the cultural arts, came together to create The Chocolate Church Arts Center. It received this name because of its unique chocolate brown color that covers the original caramel color it was before it had been painted white. Here’s a link for its interesting history.

The Sugar Creek Players, in Crawfordsville, Indiana, found a permanent home when W. Addington Vance and Myron Pattison deeded the Vanity Motion Picture Theater to them. Prior to that Sugar Creek had been producing shows at Wabash College, in local high schools, gyms and once in a Holiday Inn. In 1988, despite tar paper flooring, folding metal chair seating, and a lack of air conditioning, the opening show in the new theater was a success and the Players finally had a home.

Sugar creek

The cherry on the top of our Christmas pudding is that the sequel to The Santa Diaries will be produced in Faribault, MN by The Merlin Players who commissioned the play. Almost all the actors in the original prodcution of The Santa Diaries will play the same characters — five years later. Brandeee is pregnant but who is the father? The new show is titled: The Santa Diaries: A Christmas Wedding. We are beyond grateful that The Merlin Players reached out to us.

Screenshot (5)

Our plays will be in three states this December. Laura and I hope to be able to attend some of the shows. A road trip is being planned.

 

Write on Wednesday: Hiring a Script Consultant

When Laura Ambler and I finished our movie script for The Santa Diaries, we knew we wanted to hire Dara Marks to help us polish it. Laura had used her in the past on a couple of screen plays. We consulted our checkbooks, took a deep breath and called Dara. We booked an appointment and sent her a copy of the script which was ultimately called Santa, Flawed.

Santa Flawed

Laura and I have used writing consultants in the past. We hired two different editors to look at Big Skye Ranch. It was a better book because of the money we spent and went on to be a quarter finalist in the Amazon Breakthrough Novel contest. It won international awards at the London and Paris Book Festivals and an IPPY award.

A week ago we had our four hour telephone conference call with Dara. We were nervous. What would her reaction to the script be?  It was a somewhat fitful start because the email outline she sent us got hijacked by some virus scrubber on her computer which decided to scrub at precisely the moment she was emailing us. And her dogs went bananas when the UPS man came calling, but after a few minutes of sorting things out, we got to work.

By the end we were exhausted, but exhilarated. Dara told us our script was “highly marketable, it’s got everything, a really good piece, the writing is terrific, there is a strong structure in the script.”  She really said all those things. I took notes! …and then she told us the plot needed strengthening and we could be clearer about the theme. She said the first 25 pages needed to be totally rewritten. Well, that’s what we were paying her for – brutal honesty.

The theme thing is tricky. It’s the universal denominator and the theme drives the characters, the dialog, the setting. Theme should underscore everything in the script. It’s a little hard to wrap your head around because in the past our writing has been more character or plot driven. That’s not to say there wasn’t an underlying theme, but we didn’t spend time really trying to get that down to the bones.

In this telephone consultation we spent at least half an hour sorting out the theme. Turns out the theme is more elemental than Christmas, finding your inner Santa, nostalgia for small town life, or reconnecting with a lost love. The theme of The Santa Diaries script is “we’re all in this together.” We had not known that! Of course, the flip side of that theme is “we are alone” and that is Will’s fatal flaw. If he doesn’t change, he will be alone.

Will is isolated because he has sold out to Hollywood. He has lots of people around him, but they all want a piece of him. His business manager, Josh, whom Will calls his best friend, is a suck-up. Even his girlfriend has her own career agenda. If Will doesn’t find his authentic self (as opposed to his inner Santa) he will never be happy or fulfilled.

There were a couple of times when Dara pointed out that we were still thinking play, not movie. She was right. In the play we couldn’t have Sandy in the hospital with a broken leg. Heck, we couldn’t even get him staged in a bed in traction which is the way we wrote the original script. Sandy in a wheel chair with his leg propped up on a stool had to do. In the movie script he gets to be in a hospital.

Dara suggested that we start with a clean slate for the rewrite and we did. We are now 22 pages into the first 25 (Act 1 up to the First Turning Point). After that it will be more tweaking than a total rewrite as we make sure any changes in the beginning are reflected in rest of the script. All the characters are slightly different than they were in the original play and the script we sent Dara. We hope that gives them more depth.

Will Hawes is a little softer, more redeemable. His father, Sandy, is no longer the paragon of virtue. We’ve roughed up his edges a bit. Brandeee is smarter and shrewder. We haven’t decided if Brandeee and Will are engaged anymore. It always bothered me that Will broke up with Brandeee and moved on to Jessica so quickly.

The point is, do these changes drive the theme to its logical conclusion? We hope to have that figured out in the next month. Then the script will go back to Dara for notes. After that it should be ready to pitch. We think/hope the investment in using a script consultant will be well worth the cost.

Note: This blog was first published June 14, 2013. Gosh, almost five years ago. The script was eventually titled Santa, Flawed. No one bought it, but you can buy it on Amazon formatted for Kindle for $3.99. Using a script consultant was a great learning experience. In reading this post again, I am struck by the importance of theme. Whatever kind of fiction you are writing, figuring out your theme is paramount.