Write on Wednesday – Maine Welcomes The Santa Diaries – December 18, 2018

Maine wasn’t as cold as we expected, but it does get dark early. It was a short flight from Baltimore and by the time Laura Ambler and I landed at the Portland airport and were in the rental car (complete with ice scraper) it was getting dark. It was an hour drive to Bath. We checked into our hotel, found a place to eat dinner and walked to the theater to see the opening night show at the Chocolate Church Center for the Arts.

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Thom Watson, the producter, told us before the show that the light board had gone out that afternoon and they were using dimmers and spots. The show must go on and it did to a full house. We were entranced.

Chocolate Church Center for the Arts is a wonderful theater space. The bones of the original church are still there, and it has great acoustics. We were told that on Friday afternoon two hundred school children kids had attended a performance of The Santa Diaries, many of them seeing their first live stage performance. The photo below was taken before Saturday’s matinee. The light board was back up.

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The director of the show was Dennis St. Pierre, an Actors Equity  and Screen Actors Guild member with 20 years of professional work in the theater, tv and music industry as an actor, singer, director and producer.  He is currently the interim Executive Director for the Chocolate Church Performing Arts Center and recently created an Arts Education program that allows for collaboration with local school programs. It was that program that brought all those school kids to see The Santa Diaries. What a wonderful gift to the students.

In the opening scene of the show, cute elves deliver packages to Sandy Hawes who believes he has a calling… to be Santa.

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The large cast exemplifies a line in the play…”It’s community theater. Anyone who wants a part, gets a part.” The photo below doesn’t show all the adorable elves who occasionally escaped their wranglers backstage and made an early entrance!

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Chocolate Church did something clever to facilitate scene changes. They created three wheeled set pieces: a left and right window and a center piece that was the fireplace in Sandy’s living room (not seen in photo above). Each of these set pieces could be turned around to show something different on the other side. And for the finale (the community theater renovated after a fire) Christmas lights were turned on to show decorations in the actual theater. The audience went, “Awwww.” It was beautiful.

Before the show on Friday night we walked around the quaint main street of Bath. There was  a snowman with a fire in his belly and kids were roasting marshmallows. With lots of adult supervision, of course. The only thing missing was lightly falling snow.

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If we had stayed longer we would have attended the free community carol sing at Chocolate Church, a tradition on the last Monday evening before Christmas. And we would have spent more time at the Maritime Museum where the Christmas tree was made out of lobster pots.

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At home, on the Chesapeake Bay, we have crab pot Christmas trees .

After three traveling weekends it was lovely to be home and put away my suitcase. Requests for perusal scripts have been coming in from theaters around the country, so it will be interesting to see where The Santa Diaries finds community theater homes in 2019. We already know one production will be in Tennessee.

 

 

Write on Wednesday – Countdown – October 31, 2018

A FaceBook post from a cast member in the new play, A Christmas Wedding, that blocking for the play was complete got me thinking about how playwrights turn their babies over to directors, cast and crew.  It’s an open adoption of Laura’s and my work. We’ll get to see how the baby is raised but someone else is now doing the heavy lifting. Getting the show on its feet and ready for the curtain to go up. It’s a thousand details and, I expect, some sleepless nights for the director.

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When I think about those details a wave of anxiety (okay a small tsunami) washes over me before I remind myself that every single one of the people involved in the new show and the original want each performance to be the best it can be.

We, the playwrights, have a vision and the words we’ve written must stay the same. That’s in the contract.  But that’s where any control we might have ends. Each director has a vision, an interpretation of our words and how they instruct the actors to say them. The blocking can make a difference and put a slightly different spin on the characters. The set and costumes are part of that spin. Every production is different and that makes each unique.

Of course my writing partner, Laura Ambler, and I are going to see the shows. We have a busy December planned. On Friday, November 30 we fly to Indiana. That night we’ll see the opening performance of The Santa Diaries in Crawfordsville, Indiana produced by the Sugar Creek Players and performed in the Vanity Theater. Directed by Keith Strain  and produced by Kym Bushong.

On Friday, December 7 we fly to Faribault, Minnesota and that night will see the premier of A Christmas Wedding: Santa Diaries Two performed by the Merlin Players at the Paradise Center for the Arts. Julianna Skluzacek is the director.

And on Friday, December 14 we fly to Bath, Maine to see Chocolate Church Arts Center’s opening performance of The Santa Diaries, directed by Dennis St. Pierre.

At each venue we’ll see two performances. It will be exciting to see our babies all grown up. Laura and I are filled with gratitude to all the people involved in producing our plays, and humbled by the dedication of time and talent that goes into each production.

To paraphrase Tiny Tim, “God bless you, every one. You are awesome!”

 

Christmas Parade Memories

“Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home!”

–Charles Dickens, The Pickwick Papers

The Christmas’s I really remember are those from my childhood in South Bend, Indiana.  We moved there from Bryan, Texas when I was five. My father had left his teaching post at Texas A & M for a teaching position at Notre Dame. South Bend gave me my first experience of snow and all Christmas seasons ever after have needed snow. Even just the couple of inches we got last night transport me into the spirit of the season.

Young people today don’t realize that the Christmas season didn’t use to start until after Thanksgiving. And on Thanksgiving, in South Bend, it usually snowed. By the time we were finished with turkey and dressing, we were bundled up and took our sleds to the slopes of a nearby area the neighborhood kids called The Trails. It was where we played ball and hide and seek in the summer and built pirate forts year round. When it snowed, several small hills were perfect for our Radio Flyers. At least that’s the way I remember it. I can’t imagine it always snowed on Thanksgiving, but in my childhood recollections, it did. And that’s when the countdown to Christmas began.

It might not be correct that on Thanksgiving weekend there was a Christmas parade in downtown South Bend, but that’s the way I remember it.  Overnight Christmas displays appeared in store windows, and at our Swedish Lutheran church the children’s choir began practicing songs for the Christmas Eve service.  It was an eternal month of anticipation. Would Christmas never come?

Living in a small town brings back those memories. On Saturday we went to St. Michaels main street to watch the annual Christmas parade. Three small children next to us were bundled into blankets as they waited for the parade to begin. It was snowing and I remembered the wonder of being that age.

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What I don’t remember about past Christmas’s in the snow is my hands and feet turning to ice. On Saturday I was trying to take photos for my blog. My gloves got wet and by the time we left, my hands were so cold I couldn’t feel them.  I wasn’t feeling joyful, I was freezing.  That’s me with my own Santa.

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The parade had everything. Marching bands, dogs,  floats, fire trucks and llamas. And because we live on the Eastern Shore of Maryland, there were quite a few boats.

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We waited for Tom Campi, St. Michaels perennial Santa Claus, who had a special bay built into his garage for his sleigh. Tom is the inspiration for the Christmas play Laura Ambler and I wrote. The year it premiered at the Avalon Theatre, Laura and I walked in the St. Michaels Christmas Parade with some of the cast. It wasn’t as cold given how people are dressed and it wasn’t snowing.

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Apparently Tom’s Santa Claus was the last float in Saturday’s parade but we were standing much further down the parade route and thought the parade had ended. Everyone left. Someone later told me there was a big gap in the parade before Santa’s float. I was worried that something had happened to Tom, but he was okay and spent the rest of the day with kids whispering Christmas wishes in his ear.

This is a photo from a previous year’s parade. This Santa is the real deal!

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After the parade, my husband and I went home to our own fire-side and thawed out.

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