When we finished our movie script for The Santa Diaries, we knew we wanted to hire Dara Marks to help us polish it. Laura had used her in the past on a couple of screen plays. We consulted our checkbooks, took a deep breath and called Dara. We booked an appointment and sent her a copy of the script.
Laura and I have used writing consultants in the past. We hired two different editors to look at Big Skye Ranch.
It was a much better book because of the money we spent and the book went on to be a quarter finalist in the Amazon Breakthrough Novel Award. It won international awards at the London and Paris Book Festivals and an IPPY award.
A week ago we had our four hour telephone conference call with Dara. We were nervous. What would her reaction to the script be? It was a somewhat fitful start because the email outline she sent us got hijacked by some virus scrubber on her computer which decided to scrub at precisely the moment she was emailing us. And her dogs went bananas when the UPS man came calling, but after a few minutes of sorting things out, we got to work.
By the end we were exhausted, but exhilarated. Dara told us our script was “highly marketable, it’s got everything, a really good piece, the writing is terrific, there is a strong structure in the script.” She really said all those things. I took notes! …and then she told us the plot needed strengthening and we could be clearer about the theme. She said the first 25 pages needed to be totally rewritten. Well, that’s what we were paying her for – brutal honesty.
The theme thing is tricky. It’s the most universal denominator and the theme drives the characters, the dialog, the setting. Theme should underscore everything in the script. It’s a little hard to wrap your head around because in the past our writing has been more character or plot driven. That’s not to say there wasn’t an underlying theme, but we didn’t spend time really trying to get that down to the bones.
In this telephone consultation we spent at least half an hour sorting out the theme. Turns out the theme is more elemental than Christmas, finding your inner Santa, nostalgia for small town life, or reconnecting with a lost love. The theme of The Santa Diaries script is “we’re all in this together.” We had not known that! Of course, the flip side of that theme is “we are alone” and that is Will’s fatal flaw. If he doesn’t change, he will be alone.
Will is isolated because he has sold out to Hollywood. He has lots of people around him, but they all want a piece of him. His business manager, Josh, whom Will calls his best friend, is a suck-up. Even his girlfriend has her own career agenda. If Will doesn’t find his authentic self (as opposed to his inner Santa) he will never be happy or fulfilled.
There were a couple of times when Dara pointed out that we were still thinking play, not movie. She was right. In the play we couldn’t have Sandy in the hospital with a broken leg. Heck, we couldn’t even get him staged in a bed in traction which is the way we wrote the original script. Sandy in a wheel chair with his leg propped up on a stool had to do. In the movie he gets to be in a hospital.
Dara suggested that we start with a clean slate for the rewrite and we did. We are now 22 pages into the first 25 (Act 1 up to the First Turning Point). After that it will be more tweaking than a total rewrite as we make sure any changes in the beginning are reflected in rest of the script. All the characters are slightly different than they were in the original play and the script we sent Dara. We hope that gives them more depth.
Will is a little softer, more redeemable. His father, Sandy, is no longer the paragon of virtue. We’ve roughed up his edges a bit. Brandeee is smarter and shrewder. We haven’t decided if Brandeee and Will are engaged anymore. It always bothered me some that Will broke up with Brandeee and moved on to Jessica so quickly.
The point is, do these changes drive the theme to its logical conclusion? We hope to have that figured out in the next month. Then the script will go back to Dara for notes. After that it should be ready to pitch. We think/hope the investment in using a script consultant will be well worth the cost.